艾米莉·迪金森的欲望

前言

　　Wendy Martin remarks in her introduction to The Cam-bridge Companion to Emily Dickinson, "Emily Dickinson hasemerged as a powerful and persistent figure in American culture"（2002: 1）. Richard Sewall also acknowledges in his introductionto The Handbook of Emily Dickinson, "That her presence iscontinuing- and growing——hardly needs documenting" （1999.6）. The founding of the Emily Dickinson International Society in1988 is the most obvious evidence of Dickinsons literary signifi-cance. In China, scholars began to show growing interest inDickinsons poetry from 1970s on.　Dong Hengxun introducedDickinson in Brief Literary History of the United States in1978. Liu Haiping selected three poems of Dickinson in Selec-tions of Famous English Poems in 1984. Jiang Feng is one of theearliest translators who introduced Dickinsons poetry to the Chi-nese readers, first in journals, then in book form. Until 2004,there are more than ten books of translation of Dickinsons se-lected poetry in China by different translators, Jiang Feng beingone of the most prominent.

內(nèi)容概要

　　《艾米莉·迪金森的欲望：拉康式解讀》重點分析迪金森詩歌中所運用的大量隱喻,進而揭示隱藏在詩歌表面內(nèi)容之下的個人無意識欲望。《艾米莉·迪金森的欲望：拉康式解讀》的創(chuàng)新點在于運用拉康關于欲望的理論,從"個人的欲望是他者的欲望"的視角來擴展對迪金森的女性主義研究。

作者簡介

　　岳鳳梅，女，1971年生于遼寧省營口市。2005年畢業(yè)于南京大學，獲英語語言文學專業(yè)博士學位，現(xiàn)為浙江丁商大學外國語學院副教授。主要研究方向為英美文學和當代西方文論?！　〗暝趪鴥?nèi)核心期刊發(fā)表《艾米莉·迪金森的反叛》（《四川外語學院學報》2004年第3期），《拉康與法國女性主義》（《婦女研究論叢》2004年第3期），《拉康的語言觀》（《外國文學》2005年第3期）等數(shù)篇論文。

書籍目錄

IntroductionChapter One Lacans Concept of Desire and Dickinsons Metaphor1.1 Lacans Concept of Desire1.1.1 Tile Origin of Lacans Concept of Desire1.1.2 The Development of the Subject1.1.3 The Symbolic Other1.1.4 The Unconscious1.1.5 The Desire of the Other1.2 Dickinsons Metaphor, a "Slant" Way to Tell the TruthChapter Two Desire of "the Poet"2.1 Women in Nineteenth-Century America2.1.1 The Influence of Being Nobody on Dickinson2.1.2 Female Virtue of Giving up2.1.3 Publication is the AuctiOn of the Mind of Man2.2 Poet and Poetic Aesthetic2.2.1 The Representative of the Verse is Dickinson herself2.2.2 The World never Wrote to Me2.2.3 Dickinsons Poetic Aesthetic of Circumference2.3 Fame as Subjects2.3.1 Dickinsons Sense of Lack of Fame2.3.2 Earning Fame by Disdaining itChapter Three Dickinsons Unconscious Desire3.1 Solitary and Hungry3.1.1 Poems on Loneliness3.1.2 Poems on Despair3.1.3 Metaphors of Food and Drink3.2 Imprisonment and Escapement3.2.1 Metaphors of Imprisonment3.2.2 Imagine the LibertyChapter Four The Desire of the Other4.1 Conflict with the Other4.1.1 Skepticism toward Omnipotent God4.1.2 The Little Girls Disobedience4.1.3 The Impulse to Erupt as Volcano4.2 The Superior Status of the Other4.2.1 Intersubjectivity between "I" and "Thou"4.2.2 The Requirement of the Other as a Woman and a Wife4.2.3 The Reason of RefusalConclusionsWorks Cited

章節(jié)摘錄

　　In 1862, Dickinson was 31 years old, and she had suffered alot. Though there is no definite evidence to show what she trulyexperiences, the amount of poems she created during this periodis the very proof that her inner-world was unquiet. At least onceshe mentioned her unidentified problem, "I had a terror——sinceSeptember——I could tell to none——and so I sing, as the Boy doesby the Burying Ground——because I am afraid——" （L, 404）.　　As to Dickinsons terror since September, there are manyexplanations. Charles Wadsworth, who is supposed by ThomasH. Johnson to be Dickinsons mysterious "My Philadelphia,"would begin his departure from Philadelphia to San Francisco forhis Presbyterian duty, and this matter is thought by Thomas H.Johnson in his Emily Dickinson: An Interpretative Biography（1955） as the most stimulated factor for Dickinsons Septemberterror. John Codys A fterGreat Pain : The Inner Life of EmilyDickinson （1971）　puts forth the opinion that Dickinsonsmothers failure to provide sufficient love and affection is thecause of Dickinsons "Terror——since September. " John Cody re-gards Dickinsons poetry as the result of a personal neurotic dis-position. Elizabeth Phillips in her Emily Dickinson: Personaeand Performance （1988） argues that the eye trouble is the veryreason that causes September terror for her. James R. Guthrie inhis Emily Dickinsons Vision: Illness and Identity （1998） alsoexplicates Dickinsons terror is caused by the terrible conse-quence that her eye problem brought to her.　　The book thinks Dickinsons fear of her lack of honor as apoet might be the main cause of the September terror of Dickin-son. In her second letter to Higginson Dickinson told him thatshe suffered this September terror. And in her third letter shetold Higginson her wish to be a poet and how she wrote poems.

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