漢唐之間文化藝術(shù)的互動(dòng)與交融

內(nèi)容概要

這是《漢唐之間的藝術(shù)與考古》論文集中的第二卷，主題是在這個(gè)歷史時(shí)期內(nèi)不同文化、藝術(shù)傳統(tǒng)間的影響和互動(dòng)。

書籍目錄

前言
Introduction
第一部分：虞弘石槨與華化粟特美術(shù)
Part One: The Yu Hong Sarcophagus and Sinicized Sogdian Art
太原隋代虞弘墓石槨浮雕的初步考察………………………………………………張慶捷(3)
A Preliminary Study of Relief Carvings on the Stone Sarcophagus of Yu Hong at Taiyuan………………………………………………Zhang Qingjie (3)
隋檢校薩保虞弘墓石槨畫像石圖像程序試探………………………………………………姜伯勤(29)
The Pictorial Program of the relief Carvings on the Sui Dynasty Stone Sarcophagus of Yu Hong………………………………………………Jiang Boqin(29)
粟特祆教美術(shù)東傳過(guò)程中的轉(zhuǎn)化——從粟特到中國(guó)………………………………………………榮新江(51)
From Sogdian to China: The Transformation of Sogdian Zoroastrian Art during its Eastward Migration………………………………………………Rong Xinjiang(51)
青州北齊畫像石與入華粟特人美術(shù)………………………………………………鄭巖(73)
Northern Qi Pictorial Carvings from Qingzhou and Sinicized Sogdian Art: An Observation Inspired by the Yu Hong Sarcophagus and Other New Archaeological Finds………………………………………………Zheng Yan(73)
第二部分：墓葬反映的文化藝術(shù)的互動(dòng)與交融
Part Two: Cultural and Artistic Interaction as Reflected in Burials
創(chuàng)造宇宙：漢唐時(shí)期中國(guó)北方墓葬中所見的文化交流………………………………………………羅森(113)
Creating Universes: Cultural Exchanges as Seen in Tombs in Northern China between the Han and Tang Periods………………………………………………Jessica Rawson(113)
從高句麗到甘肅和新疆：公元4至7世紀(jì)北亞洲的墓葬和祭祀空間………………………………………………夏南希(153)
From Koguryo to Gansu and Xinjiang: Funerary and Worship Space in North Asia 4th-7th Centuries………………………………………………Nancy S. Steinhardt(153)
三燕文化墓葬的類型與分期………………………………………………田立坤(205)
Typology and Periodization of Tombs of the Three Yan Culture………………………………………………Tian Likun(205)
東晉時(shí)期北方移民對(duì)南方墓葬影響的重新評(píng)估………………………………………………安然(231)
Northern Influence in Tombs in Southern China after 317 CE?——A Reevaluation………………………………………………Annette Kieser(231)
第三部分：遺址、石窟寺與裝飾圖像反映的文化藝術(shù)的互動(dòng)與交融
Part Three: Cultural and Artistic Interaction as Reflected in Sites, Grottos, and Decorative Motifs
尼雅學(xué)研究的其實(shí)………………………………………………韓森(275)
交匯、融合與變化——一以敦煌第249、285窟為中心………………………………………………馬世長(zhǎng)(299)
北周拉梢寺藝術(shù)中的中亞主題………………………………………………羅杰偉(315)
中古時(shí)期中國(guó)裝飾藝術(shù)中的阿娜希塔女神及其有關(guān)象征圖樣和紋樣………………………………………………卡雷茨基(341)
第四部分：繪畫題材反映的文化藝術(shù)的互動(dòng)與交融
Part Four: Cultural and Artistic Interaction as Reflected in Painting Subjects
河西魏晉壁畫墓初論——河西與中原文化關(guān)系的一個(gè)視點(diǎn)………………………………………………鄭巖(387)
由墓室到墓道——南北朝墓葬所見之儀仗表現(xiàn)與喪葬空間的變化………………………………………………趙永洪(427)
漢唐之間對(duì)家庭倫理的描繪………………………………………………何重華(463)
第五部分：器物反映的文化藝術(shù)的互動(dòng)與交融
Part Five: Cultural and Artistic Interaction as Reflected in Objects
從堆塑罐論六朝墓葬儀式的發(fā)展………………………………………………丁愛博(509)
Developments in Funerary Practices in the Six Dynasties Period: The Duisuguan堆塑罐 or "Figured jar" as a Case in Point………………………………………………Albert E. Dien(509)
中國(guó)古代的禽獸紋刀環(huán)及其對(duì)海東的影響………………………………………………孫機(jī)(547)
Ancient Chinese Sword Handles with Bird and Animal Ornament and Their Influence on Korea and Japan………………………………………………Sun Ji(547)
鮮卑金銀器研究………………………………………………齊東方(559)
A Study of Xianbei Gold and Silver Objects………………………………………………Qi Dongfang(559)

圖書封面

圖書標(biāo)簽Tags

無(wú)

評(píng)論、評(píng)分、閱讀與下載

---

    漢唐之間文化藝術(shù)的互動(dòng)與交融 PDF格式下載

---