馬克思主義與形式

前言

　　改革開放30年以來，我國(guó)的圖書出版業(yè)發(fā)展迅速，日新月異。近10年，國(guó)內(nèi)一些出版社經(jīng)授權(quán)直接印行外版文學(xué)批評(píng)與理論的著作，并以國(guó)內(nèi)同類產(chǎn)品的價(jià)格標(biāo)價(jià)，受到大學(xué)師生和研究者由衷的歡迎。在這些圖書中，上海外語教育出版社從劍橋大學(xué)出版社引進(jìn)的“劍橋文學(xué)指南叢書”尤其成功，它們大大推進(jìn)了我國(guó)英語文學(xué)的教學(xué)與研究?！　?0世紀(jì)下半葉是眾多文學(xué)理論各領(lǐng)風(fēng)騷的50年，文學(xué)研究的面貌大大改觀，理論家和批評(píng)家取得了與詩人、作家?guī)缀跗狡鹌阶牡匚?。正是各種文論使我們意識(shí)到，我們不能一直處于一種天真的狀態(tài)，對(duì)主導(dǎo)批評(píng)活動(dòng)的或明或暗的方法、預(yù)設(shè)和前提不加追問。上世紀(jì)70、80年代開始，歐美大學(xué)文學(xué)系對(duì)理論課程的需求迅速增長(zhǎng)，一些文論選本和文論導(dǎo)讀、入門也應(yīng)運(yùn)而生，有的還被譯成了中文，在大學(xué)師生中很受歡迎。這些輔助性的指南固然有其用處，但是要了解文論的精髓，我們還是應(yīng)該暫時(shí)把二手譯作放在一邊，回到原著?！　≡谝恍W(xué)者的大力推薦下，外教社決定再推出“西方文論叢書”，首批五種。這些著作堪稱文學(xué)與哲學(xué)研究的經(jīng)典，其影響不必由我在此贅述。

內(nèi)容概要

　　《馬克思主義與形式》是研究馬克思主義文學(xué)批評(píng)理論的經(jīng)典學(xué)術(shù)專著。該書的作者是中國(guó)學(xué)者熟識(shí)的弗雷德里克·詹姆遜（Fredric Jameson），是時(shí)下公認(rèn)的兩位最有聲望的西方馬克思主義理論家之一。在書中，詹姆遜對(duì)馬克思主義及其主要理論家——阿多諾、本雅明、馬爾庫塞、布洛赫、盧卡契、薩特等人的理論進(jìn)行了評(píng)述。詹姆遜認(rèn)為馬克思主義理論的強(qiáng)大生命力來源于辯證思維方式，他反對(duì)孤立地觀察事物，認(rèn)為世間萬物都以一定的形式相互關(guān)聯(lián)，并試圖建立一種辯證的文學(xué)批評(píng)。

書籍目錄

PrefaceAcknowledgmentsCHAPTER ONE T.W. Adorno; or， Historical TropesCHAPTER Two Versions of a Marxist HermeneuticⅠ. WALTER BENJAMIN; OR NOSTALGIAⅡ. MARCUSE AND SCHILLERⅢ. ERNST BLOCH AND THE FUTUP，CHAPTER THREE The Case for Georg LukacsCHAPTER FOUR Sartre and HistoryCHAPTER FIVE Towards Dialectical CriticismBibliographyIndex

章節(jié)摘錄

　　Nowhere is the hostility of the Anglo-American tradition toward the dialectical more apparent, however, than in the widespread notion that the style of these works is obscure and cumbersome, indigestible, abstract——or, to sum it all up in a convenient catchword, Germanic. It can be admitted that it does not conform to the canons of clear and fluid journalistie writing taught in the schools. But what ff those ideals of clarity and simplicity have come to serve a very different ideological purpose, in our present context, from the one Descartes had in mind？ What if, in this period of the overproduction of printed matter and the proliferation of methods of quiek reading, they were intended to speed the reader across a sentence in such a way that he can salute a readymade idea effortlessly in passing, without suspecting that real thought demands a descent into the materiality of language and a consent to time itself in the form of the sentence？ In the language of Adorno——perhaps the finest dialectical intelligence, the finest stylist, of them all——density is itself a eonduet of intransigence: the bristling mass of abstractions and cross-references is precisely intended to be read in situation, against the cheap facility of what surrounds it, as a warning to the reader of the price he has to pay for genuine thinking, The resolute abstractness of this style stands as an imperative to pass beyond the individual empirical phenomenon to its meaning: abstract terminology clings to its object as a sign of the latters ineompleteness in itself, of its need to be replaced in the context of the totality. I cannot imagine anyone with the slightest feeling for the dialectical nature of reality remsining insensible to the purely formal pleasure of such sentences, in which the shifting of the worlds gears and the unexpected contact between apparently unrelated and distant categories and objects find sudden and dramatic formulation.

編輯推薦

　　《馬克思主義與形式》以口譯技能作為教材的基本框架。每課配備篇章充足，且有深淺難易之分，教學(xué)上各學(xué)校可根據(jù)學(xué)生的具體情況因材施教。同時(shí)我們希望任課教師根據(jù)本校、本地的實(shí)際情況、形勢(shì)的發(fā)展、熱點(diǎn)的轉(zhuǎn)移或涌現(xiàn)，充分利用現(xiàn)代媒體的信息資源，如報(bào)紙、雜志、廣播、電視、因特網(wǎng)等，來補(bǔ)充、替換或更新練習(xí)用的篇章。

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