重寫與顛覆

內(nèi)容概要

　　約翰·厄普代克是美國當(dāng)代著名小說家、文論家、詩人，不僅成果累累，且文采熠熠，幾乎攬獲美國所有的文學(xué)大獎(jiǎng)，被譽(yù)為世界最佳英語小說家之一。其文壇地位祓認(rèn)為與霍桑和納博科夫等大師齊名?！吨貙懪c顛覆：約翰·厄普代克“《紅字》三部曲”之互文研究》研究的對(duì)象是厄普代克“《紅字》三部曲”——《整月都是禮拜天》（1975）、《羅杰教授的版本》（1986）、《S.》（1988）與霍?！都t字》（1850）之間的互文關(guān)系。其主要任務(wù)是：（1）考證二者之間的互文事實(shí)；（2）梳理厄普代克互文小說的創(chuàng)作方法；（3）品評(píng)其互文藝術(shù)的特點(diǎn)；（4）甄別其世界觀在這幾部作品中的體現(xiàn)；（5）提高對(duì)美國社會(huì)文化的認(rèn)識(shí)。

書籍目錄

IntroductionChapter 1 Intertextuality and Its Critical Approaches1.1 The Theory of Intertextuality1.2 Critical Approaches for Intertextual InvestigationChapter 2 Imitative Intertextuality: The Prototypal Elements2.1 Archetypal Projections in the Myth of Eden: The Shared Prototypes2.1.1 Archetypal Projections in the Myth of Eden2.1.2 Prototypes from the Myth of Eden for The Scarlet Letter2.1.3 Direct Connections of Updike's Trilogy with the Myth of Eden2.2 Prototypes for Updike's Trilogy Deriving from The Scarlet Letter2.2.1 The Prototypal Characters2.2.2 The Thematic Prototypes2.2.3 The Symbolic PrototypesChapter 3 Derivative Intertextuality: The Extended Elements3.1 Revelation of Unpublicized Details3.2 Exposure of Characters behind the Scenes3.3 Segmentation of Characters3.4 Prequel/Sequel Scenarios3.5 Paratextual IntertextualityChapter 4 Subversive Intertextuality: The Aggressive Elements4.1 The Common Topics4.2 Hawthorne's Attitudes and Opinions4.3 Updike's Attitudes: Agreements and Subversions4.3.1 The Agreed Elements4.3.2 The Subverted ElementsChapter 5 The Updikian Intertextual Narration: An Assessment5.1 Rewriting Classics: A Specialty of Updike5.2 The Updikian Intertextual Narration: Aesthetic Concerns5.3 Updike's Voice: Thematic Concerns5.3.1 Sex and Adultery5.3.2 Religious Matters5.3.3 Women's LiberationConclusionNotesWorks Cited

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