出版時(shí)間:2012-2 出版社:湖南美術(shù) 作者:李宏偉 頁(yè)數(shù):60
內(nèi)容概要
《經(jīng)典碑帖集字創(chuàng)作藍(lán)本》以古代經(jīng)典文選作品為內(nèi)容,通過(guò)現(xiàn)代計(jì)算機(jī)技術(shù),將歷代經(jīng)典碑帖行草范字集合在書(shū)法作品中,力求風(fēng)格統(tǒng)一,行氣流暢,章法形式多樣,既可直接供書(shū)法愛(ài)好者臨摹,又可為其書(shū)法創(chuàng)作提供借鑒,集書(shū)法與文學(xué)價(jià)值于一身。本冊(cè)為草書(shū)歷代書(shū)論選。
書(shū)籍目錄
【中堂】、【橫卷】
蔡邕《九勢(shì)》· ······················01
王羲之《書(shū)論》· ·····················02
羊欣《采古來(lái)能書(shū)人名》· ·················03
虞龢《論書(shū)表》· ·····················04
王僧虔《論書(shū)》· ·····················05
虞世南《筆髓論 指意》· ··················06
張懷瓘《書(shū)議》· ·····················07
徐浩《論書(shū)》· ······················08
盧攜《臨池妙訣》· ····················09
歐陽(yáng)修《試筆 學(xué)書(shū)為樂(lè)》· ·················10
蘇軾《題遺教經(jīng)》· ····················11
黃庭堅(jiān)《跋蘭亭》· ····················12
黃庭堅(jiān)《李致堯乞書(shū)書(shū)卷后 論書(shū)》· ·············13
米芾《海岳名言》· ····················14
米芾《海岳名言》· ····················15
趙構(gòu)《翰墨志》· ·····················16
解縉《春雨雜述》· ····················17
豐坊《書(shū)訣》· ······················18
董其昌《題獻(xiàn)之帖后》· ··················19
董其昌《畫(huà)禪室隨筆》· ··················20
董其昌《畫(huà)禪室隨筆》· ··················21
董其昌《畫(huà)禪室隨筆二則》· ················22
傅山《霜紅龕集》· ····················23
馮班《鈍吟書(shū)要》· ····················24
馮班《鈍吟書(shū)要》· ····················25
馮班《鈍吟書(shū)要》· ····················26
笪重光《書(shū)筏》· ·····················27
梁巘《評(píng)書(shū)帖》· ·····················28
梁巘《評(píng)書(shū)帖》· ·····················29
梁巘《評(píng)書(shū)帖二則》· ···················30
錢(qián)泳《履園叢話(huà)》· ····················31
錢(qián)泳《履園叢話(huà)》· ····················32
朱履貞《書(shū)學(xué)捷要》· ···················33
朱履貞《書(shū)學(xué)捷要二則》· ·················34
米芾《海岳名言》· ····················35
吳德旋《初月樓論書(shū)隨筆》· ················39
吳德旋《初月樓論書(shū)隨筆》· ················40
包世臣《藝舟雙輯》· ···················41
劉熙載《書(shū)概》· ·····················42
劉熙載《書(shū)概》· ·····················43
劉熙載《書(shū)概二則》· ···················44
周星蓮《臨池管見(jiàn)》· ···················45
周星蓮《臨池管見(jiàn)》· ···················46
朱和羹《臨池心解》· ···················47
朱和羹《臨池心解》· ···················48
朱和羹《臨池心解》· ···················49
朱和羹《臨池心解》· ···················50
康有為《廣藝舟雙楫》· ··················51
康有為《廣藝舟雙楫》· ··················52
康有為《廣藝舟雙楫》· ··················53
康有為《廣藝舟雙楫》· ··················54
康有為《廣藝舟雙楫》· ··················55
董其昌《畫(huà)禪室隨筆二則》· ················57
【扇面】
黃庭堅(jiān)《論書(shū)》· ·····················58
朱履貞《書(shū)學(xué)捷要》· ···················59
王僧虔《筆意贊》· ····················60
編輯推薦
臨摹是書(shū)法學(xué)習(xí)中的重要手段,也是不可逾越的途徑。從古至今,所以的書(shū)法大師都是以臨摹的方式,站在前人的肩膀上而最終獲得成就的。當(dāng)然,臨摹的最終目的還是創(chuàng)作。那么,我們?nèi)绾蝿?chuàng)作?如何從臨摹過(guò)渡到創(chuàng)作?基于此,我們特別策劃了《經(jīng)典碑帖集字創(chuàng)作藍(lán)本》這套書(shū),聘請(qǐng)國(guó)內(nèi)一流學(xué)者和著名書(shū)家共同編撰,在文字內(nèi)容上力求經(jīng)典,在書(shū)法風(fēng)格上力求和諧,同時(shí)兼顧形式的豐富多樣?!瞎?/pre>圖書(shū)封面
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