中國園林

內(nèi)容概要

Walking into a Chinese garden,one cannot help but be enchanted by its uniqueoriental flavor;and walking in an atmosphere of tranquility and peace,one will discover something unlikely to be found in Western architecture-delicate and refined ,complex and contained in its quietude.In contrast with natural scenery,the beauty of Chinese gardens lie in their combining culture and art into one.How did the classic Chinese garden take shape and develop?How many prototypes are there in Chinese gardens,what similarities do they share and how do they differ form each other?What experences have been accumulaged throuth the years of garden buelding,and what theories have been formed?Let's walk into the Chinese Gardens and take a closer look.    This book is published simultaneously in seven languages including Chinese,English,Japanese,Russian,French,German and Spanish.

作者簡介

樓慶西，1930年生，浙江人。1952年畢業(yè)于清華大學(xué)建筑系，長期從事建筑歷史與理論的研究和教學(xué)工作，現(xiàn)為清華大學(xué)建筑學(xué)院教授。主要著作有：《中國美術(shù)全集·建筑藝術(shù)編·宮殿建筑》、《中國建筑藝術(shù)全集·建筑裝修與裝飾》、《中國古建筑小品》、《中國建筑形態(tài)與文化》、《中國傳統(tǒng)建筑裝飾》、《建筑攝影》等，并負(fù)責(zé)《頤和園》等多部專著的攝影工作。

書籍目錄

The Formation and Development of the Chinese Garden  Hunting and Communion with the Spirits  The Symbol of a Unfied State  Fully Enjoying the Beaury of Nature  Gardents of Pleasure in Prosperous Times  A wolrd in a teapot  A Vision to Move the Heaven and Condense the EarthPrivate Gardens of Ming and Qing Dynsaties  Private Gardens in the South  Private Gardens of the North  Construction Technology of Private GardensImperial Gardens of the Ming and Qing Dynsties  General Introduction  The Qppreciation of Some Well-Known Gardens  The Comparison between imperrial Gardens and Private GarednsGarden Buliding Masters and Theories on Creating a GarednHow to Appreciate the Beauty of Gardens'Artistic Conception(Realm)  The Creation fo Gardens'Artistic Conception(Realm)  View-watching AnglesThe Tragedy and Revival of the Famed Gardens

章節(jié)摘錄

插圖：In ancient times it was the traditional belief that the powers of the rulers were bestowed on by the gods. Since the power of the emperor came from heaven, the emperor was known as the "Son of Heaven". The Qin Dynasty (221 B.C.-206 B.C.) overthrew six smaller states and unified the country, and was later superseded by an even stronger totalitarian Han Dynasty (206 B.C.-220 A.D.). This was the beginning of a consecutive 2,000 years of a unified state with centralized power. The establishment of this form of state government marks a turning point in Chinese history. The influence of this historic period on the art of gardening was also deep and profound.From historic annals dating from the Qin and Han periods, we can see many records of large-scale architectural building and construction of gardens during this period which roughly covered 400 years. In the year 221 B.C., the Emperor Qinshihuang unified the country and set up a vast feudal empire. He ordered 200 thousand rich families to move to Xianyang in Shaanxi Province, in order to centralize manpower and resources so he could implement his ambitious construction plan. The Qin Dynasty palace is of astoundingly large proportions. The most famous Qin Dynasty palace is the E-fang Palace which was built south of the capital of that time, Xianyang. In the "Annals of History-Section on Emperor Qinshihuang", "is written the following passage-"...the front palace of E-fang is 500 paces from east to west, and 50 zhang (note: one zhang equals 10 Chinese feet) from south to north. It is large enough to hold 10 thousand people, and tall enough to erect a 5-zhang banner. Emperor Qinshihuang used the Xianyang Palace as the center, and around in a radius extending for scores of miles planned to build over 200 palaces and chambers, which were all to be mutually connected by passageways above the ground. This made this whole region both his palace area and his garden area.

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《中國園林(英文)》是由五洲傳播出版社出版的。

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