記憶傳承與重構(gòu)

內(nèi)容概要

　　《記憶傳承與重構(gòu)：論湯亭亭小說(shuō)中族裔身份構(gòu)建》分析湯亭亭的作品中華裔美國(guó)人的身份認(rèn)證問(wèn)題。探討她的小說(shuō)是如何通過(guò)人物關(guān)系、情節(jié)發(fā)展、寫(xiě)作手法等揭示文化系統(tǒng)對(duì)人物身份構(gòu)建的意義和作用方式，進(jìn)而推及美國(guó)社會(huì)中華裔族群的身份構(gòu)建問(wèn)題?！　　队洃泜鞒信c重構(gòu)：論湯亭亭小說(shuō)中族裔身份構(gòu)建》將文化理論與媒介、歷史、意識(shí)形態(tài)結(jié)合，分析湯亭亭的文本中華裔男性身份構(gòu)建問(wèn)題。個(gè)體的身份構(gòu)建取決于多種因素。從社會(huì)歷史背景、個(gè)人文化背景、種族特征以及個(gè)體與社團(tuán)的關(guān)系幾個(gè)方面入手，分析湯亭亭文本中這些線索是如何決定其小說(shuō)人物的身份構(gòu)建的，推而廣之，了解少數(shù)族裔男性身份構(gòu)建中的種種關(guān)鍵因素?！　　队洃泜鞒信c重構(gòu)：論湯亭亭小說(shuō)中族裔身份構(gòu)建》在吸收和借鑒前人研究成果的基礎(chǔ)上，為湯亭亭的作品及華裔文學(xué)研究提出了較新觀點(diǎn)，為今后此方面的深入研究奠定了一定的基礎(chǔ)。

書(shū)籍目錄

Chapter 1　An Overview of Chinese American Literature1.1 General Overview of Chinese Americans in the U.S1.2 The Emergency and Exuberance of Chinese American Literature1.3 Maxine Hong Kingston as the Leading Figure of Chinese Americal Literature1.4 Studies on Maxine Hong Kingstons Works1.5 The Identity Politics in Kingstons WorksChapter 2 Fictionlized History：Historical Writing as Counter-discourse2.1 Ethmic History and Individual Identity2.2 Photography and Minority Historical Documentation2.3 Kingstons Fictionalized Accoubt of Herf Ethnic History2.4 Manipulation of the Whites and the Absence of the Chinese Americans2.5 The History of Chinese Americans and the Personal Photos-A Past Deliberately Forgotten2.6 Photos as a Means of Propaganda-The Demonized Cihinese AmericanChapter 3 The Pressure of Assimilatio-Movie as the Message3.1 The Magnified Physical Features-The Interaction between Ethnical Identity and Screen Image3.2 The Cinematic Depictions of Chinese Americans and the Effects3.3 The Impulse of Imitation and the Pressure of Assimilation-The Semiotic Persuasion3.4 The Interplay of Ethmicity and Gender and Its Effect on the Identity FormationChapter 4 Breaking the Silence-Oral Narrative in Kingstons Text4.1 The Significance of Story-telling4.2 The Inheritance adn Reinvention of Chinese Traditional Oral Culture4.3 The Features of Oral Narrative-interactiveness and Participativeness4.4 The Imetation of Oral Narrative Structure in China Men4.5 The Omniscient Motherly Narrator-Guanyin4.6 The Texts Full of Sounds and FuryChapter 5 Pear Garden in the West5.1 Theater as The Convergence of Heterogeneous Discourses5.2 Theater as Identity-shaping Force5.3 Chinese Stofry-telling Tradition as the Journey5.4 Theater as a Sign of Cultural Regeneration5.5 Theater as the Chmmunal EffortChapter 6 ConclusionsNotesAppendicesReferences

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