紅字

內(nèi)容概要

小說(shuō)以兩百多年前的殖民地時(shí)代的美國(guó)為題材，但揭露的卻是19世紀(jì)資本主義發(fā)展時(shí)代美國(guó)社會(huì)典法的殘酷、宗教的欺騙和道德的虛偽。主人公海絲特被寫(xiě)成了崇高道德的化身。她不但感化了表里不一的丁梅斯代爾，同時(shí)也在感化著充滿罪惡的社會(huì)?！　∈澜缥膶W(xué)名著表現(xiàn)了作者描述的特定時(shí)代的文化。閱讀這些名著可以領(lǐng)略著者流暢的文筆、逼真的描述、詳細(xì)的刻畫(huà)，讓讀者如同置身當(dāng)時(shí)的歷史文化之中?！懊洳亍眳矔?shū)精心挑選了這些可以代表西方文學(xué)的著作，并聽(tīng)取了一些國(guó)外專門研究文學(xué)的朋友的建議，不刪節(jié)、不做任何人為改動(dòng)，嚴(yán)格按照原著的風(fēng)格，提供原汁原味的西方名著，讓讀者能享受純正的英文名著。隨著閱讀的展開(kāi)，你會(huì)發(fā)現(xiàn)自己的英語(yǔ)水平無(wú)形中有了大幅提高，并且對(duì)西方歷史文化的了解也日益深入廣闊。 本書(shū)收錄了世界名著《紅字》，是19世紀(jì)美國(guó)浪漫主義作家霍桑的長(zhǎng)篇小說(shuō)。

書(shū)籍目錄

THE CUSTOM-HOUSE  INTRODUCTORY TO "THE SCARLET LETTER".THE SCARLET LETTER  I. THE PRISON-DOOR  II. THE MARKET-PLACE  III. THE RECOGNITION  IV. THE INTERVIEW  V. HESTER AT HER NEEDLE  VI. PEARL  VII. THE GOVERNOR'S HALL  VIII. THE ELF-CHILD AND THE MINISTER  IX THE LEECH  X THE LEECH AND HIS PATIENT  XI. THE INTERIOR OF A HEART  XII. THE MINISTER'S VIGIL  XIII. ANOTHER VIEW OF HESTER  XIV. HESTER AND THE PHYSICIAN  XV. HESTER AND PEARL  XVI. A FOREST WALK  XVII. THE PASTOR AND HIS PARISHIONER  XVIII. A FLOOD OF SUNSHINE  XIX. THE CHILD AT THE BROOKSIDE  XX. THE MINISTER IN A MAZE  XXI THE NEW ENGLAND HOLIDAY  XXII. THE PROCESSION  XXIII. THE REVELATION OF THE SCARLET LETTER  XXIV. CONCLUSION

章節(jié)摘錄

　　Prying further into the manuscript， I found the record of other doings and sufferings of this singular woman, for most of which the reader is referred to the story entitled THE SCARLET LETTER; and it should be borne carefully in mind that the main facts of that story are authorized and authenticated by the document of Mr. Surveyor Pue. The original papers, together with the scarlet letter itself - a most curious relic - are still in my possession, and shall be freely exhibited to whomsoever, induced by the great interest of the narrative, may desire a sight of them. I must not be understood as affirming that, in the dressing up of the tale, and imagining the motives and modes of passion that influenced the characters who figure in it, I have invariably confined myself within the limits of the old Surveyors half-a-dozen sheets of foolscap. On the contrary, I have allowed myself, as to such points, nearly, or altogether, as much license as if the facts had been entirely of my own invention. What I contend for is the authenticity of the outline.　　This incident recalled my mind, in some degree, to its old track. There seemed to be here the groundwork of a tale. It impressed me as if the ancient Surveyor, in his garb of a hundred years gone by, and wearing his immortal wig - which was buried with him, but did not perish in the grave - had met me in the deserted chamber of the Custom-House. In his port was the dignity of one who had borne his Majestys commission, and who was therefore illuminated by a ray of the splendour that shone so dazzlingly about the throne.

編輯推薦

　　《紅字》收錄了世界名著《紅字》，是19世紀(jì)美國(guó)浪漫主義作家霍桑的長(zhǎng)篇小說(shuō)。

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