出版時間:2012-7 出版社:黃山書社 作者:北京讀圖時代文化發(fā)展有限公司 頁數(shù):178 字?jǐn)?shù):153000
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內(nèi)容概要
刺繡是一門歷史悠久的中國傳統(tǒng)手工技藝,其技藝精湛,色彩濃郁鮮艷,具有獨特的藝術(shù)風(fēng)格和特色。地域環(huán)境對刺繡的形成和發(fā)展起著很大的作用?!吨袊t:刺繡》就刺繡的歷史、各地刺繡名品的特點,以及常見的刺繡圖案,向讀者介紹中國刺繡藝術(shù)。
書籍目錄
刺繡溯源
地方名繡
顧繡
蘇繡
湘繡
粵繡
蜀繡
汴繡
隴繡
山西民間刺繡
河南靈寶刺繡
青海刺繡
苗族刺繡
瑤族刺繡
侗族刺繡
水族馬尾繡
黃梅挑花
刺繡圖案
團龍紋
龍鳳呈祥
鳳穿牡丹
八仙慶壽
……
章節(jié)摘錄
版權(quán)頁: 插圖: 流傳在貴州省雷山縣、貴陽市、劍河縣、臺江和湖南瀘溪等地的苗繡有著不同的形式與風(fēng)格。 貴州省苗族侗族自治州雷山縣地處黔東南,是苗族的主要聚集地之一,雷山苗族的服飾至今仍保留著原汁原味的傳統(tǒng)風(fēng)格,精美絕倫的刺繡技藝和璀璨奪目的銀飾讓人贊嘆不已。雷山苗族服飾按結(jié)構(gòu)和風(fēng)格劃分,主要有長裙、中裙、短裙、超短裙四種,也稱西江型、也蒙型、公統(tǒng)型、大塘型。雷山苗族刺繡的圖案在形制和造型方面,大量運用各種變形和夸張手法,以及比喻、暗喻、借喻、象征等寓意表達,體現(xiàn)出別具民族風(fēng)格的審美情趣。 貴陽市花溪苗族挑花技藝在貴州苗族刺繡技藝中具有一定的代表性。據(jù)史書記載:苗族先祖九黎部落原居黃河流域,由于在與外族爭戰(zhàn)中多次敗北,逐漸西遷,部分支系進入今貴州境內(nèi),其中一個自稱為“謀”(他族稱之為“花苗”)的支系定居在格洛格桑(今貴陽)。這個苗族支系原先主要用蠟染來裝扮自身,后發(fā)現(xiàn)挑花色彩更豐富,表現(xiàn)力也更強,便開始在蠟染圖案底紋上進行挑花,挑花漸從蠟染脫胎,形成獨特的表現(xiàn)手法和藝術(shù)語言。常見的挑花圖案有豬蹄權(quán)、牛蹄權(quán)、牛頭、羊頭、狗頭、冰雪花、刺藜花、浮萍、荷花、稻穗、蕎子花、銅鼓、燈籠、銀權(quán)、銅錢、太陽、青蛙、水爬蟲、螃蟹、燕子、樓閣、田園、橋梁、河流、苗王印等?;ㄏ缱逄艋妓嚲哂凶纺钕茸?、記錄歷史、表達愛情和美化自身等功用,同時又有很強的裝飾性。 Miao Embroidery popular in such different places in Guizhou Province as Leishan county,Guiyang,Jianhe county and Taijiang as well as Luxi of Hunan province displays different forms and styles. Leishan County of the Miao and Dong Autonomous Prefecture of Guizhou Province is a major settlement of Miao people,and people's clothes retain a traditional style.Their extremely exquisite embroidery and dazzling silvery accessories are greatly admired.According to the structure and style,the clothes of Leishan Miao people can be divided into four types,namely,long dress,mid-long dress,short dress and super-short dress (also called Xijiang type,Yemeng type,Gongtongtype).In the forms and shapes of their embroidery patterns,various methods of transformation and exaggeration,as well as indirect expression ways such as simile,metaphor,trope,and symbolization are used,showing the special aesthetic taste of the ethnic group. The Tiaohua Stitch of Huaxi Miao people in Guiyang is representative of Miao Embroidery in Guizhou Province.According to historical records,Tribe Jiuli,the ancestor of Miao people,lived around the Yellow River valley and migrated westward because of the defeats in wars against other ethnic groups.Some of them entered the domain of today's Guizhou Province,among whom a branch called themselves Mou (named Hua Miao by other nationalities) settled in Geluo Gesang (today's Guiyang).The people of the branch dressed themselves with batik at first.Finding the Tiaohua Stitch more vivid and more expressive,they began to use it on the patterns of batik.
編輯推薦
《刺繡(漢英對照)》以實用簡明的圖文形式,提供一個令人愉悅的閱讀空間,讓四海賓朋走進中國文化的殿堂,品味中國文化之美。
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