英國通俗小說菁華

內(nèi)容概要

這套《英國通俗小說菁華》是《美國通俗小說菁華》的姊妹篇，其編撰目的也同《美國通俗小說菁華》一樣，旨在為我國大專院校英語專業(yè)及相關專業(yè)的學生以及社會上廣大英語文學愛好者提供一座學習、欣賞英國通俗文學的橋梁。它將在我國國內(nèi)首次展示英國各個歷史時期的通俗文學發(fā)展的概貌，幫助廣大讀者在輕松、愉悅的閱讀過程中，熟悉、掌握英國最貼近社會生活的語言，從而快速地提高英語運用能力。全套書約300萬字，共分三卷，本書為20世紀下半期卷，匯集了該時期膾炙人口的英國通俗小說精華36篇，涉及新歷史浪漫小說、超自然恐怖小說、新科學推測小說、間諜小說、色情小說、新魔法幻想小說、新女性小說、魔法恐怖小說、黃金偵探小說、英雄幻想小說、歷史言情小說、硬科學小說等12個主要通俗小說類型和36個重要作家。

作者簡介

黃祿善，上海大學外國語學院英語系教授，外國通俗文學研究中心主任。上海作家協(xié)會會員，上海翻譯家協(xié)會會員。著有《美國通俗小說史》、《英美通俗小說概述》兩部專著，譯有《美國的悲劇》、《合伙人》、《鴿房女尸案》、《綠色貝雷帽》、《墓掘》、《荒島劍鳴》等10部長

書籍目錄

Chapter 1  Gothic Romantic Fiction　1. Overview　2. Daphne de Maurier: My Cousin Rachel　3. Victoria Holt= The Mistress of Mellyn　4. Mary Stewart, The Crystal CaveChapter 2  New Heroic Fantasy Fiction　1. Overview　2. 3. R. R. Tolkien: The Lord of the Rings　3. Susan Cooper: The Dark Is Rising　4. Tanith Lee: The BirthgraveChapter 3  New Espionage Fiction　1. Overview　2. Ian Lancaster Fleming, Goldfinger　3. Len Deighton. The IPCRESS File　4. John Le Carre. The Spy Who Came in from the ColdChapter 4  Police Procedural Fiction　1. Overview　2. John Creasey: The Toff and the Toughs　3. P. D. James: Shroud for a Nightingale　4. Ruth Rendell: A Demon in My ViewChapter 5  New Historical Romantic Fiction　1. Overview　2. Dorothy Dunnett: The Game of Kings　3. Catherine Cookson: The Mallen Girl　4. A. S. Byatt: Possession: A RomanceChapter 6  New-Wave Science Fiction　1. Overview　2. Brian Wilson Aldiss.The Dark Light Years　3. J. G. Ballard. The Crystal World　4. Michael Moorcock: Behold the ManChapter 7  Social Horror Fiction　1. Overview　2. James Herbert: The Rats　3. Ramsey Campbell: The Doll Who Ate His Mother　4. Clive Barker: Books of Blood ( Volume 1 )Chapter 8  Mitary Adventurous Fiction　1. Overview　2. Desmond Bagley: The Snow Tiger　3. Jack Higgins: The Eagle Has Landed　4. Dudley Pope: Ramage and the RebelsChapter 9  Historical Detective Fiction　1. Overview　2. Ellis Peters: Monk's Hood　3. Peter Lovesey: The False Inspector Dew　4. Lindsey Davis: The AccusersChapter 10  Lesbian Fiction　1. Overview　2. Jeannette Winterson: Oranges Are Not the Only Fruit　3. Patrick Gale: The Aerodynamics of Pork　4. Alan .Hollinghurst: The Line of BeautyChapter 11  New Women's Romantic Fiction  1. Overview　2. Joanna Trollope: The Rector's Wife　3. Barbara Taylor Bradford: Her Own Rules　4. Elizabeth Buchan: Everything She Thought She WantedChapter 12  Young Adult Magic Fantasy Fiction  1. Overview  2. Philip Pullman: His Dark Materials, Northern Lights  3. J. K. Rowling: Harry Potter and the Philosopher's Stone  4. Diana Wynne Jones: Dark Lord of DerkholmSelect Bibliography

章節(jié)摘錄

Gothic romantic fiction, a type of historical romantic fiction with gothicelements, is the main current of British romantic fiction in 1960s. This newtide originates from a famous British woman writer, Eleanor Hibbert （1906-1993）. In 1960, having been inspired by the whole success of Mary Johnston'sto Have and to Hold （1900） and Daphne du Maurier （1907 - 1989）'s Rebecca（1938）, Eleanor Hibbert wrote Mistress of Mellyn （1960） by boldly blendinggothic mystery and horror elements into historical romantic fiction. This bookgot instant sensation after being published under the pen name of VictoriaHolt. The next year, it got republished in London and was also warmlywelcomed. After that, she published six gothic romantic novels in succession,and accumulated sales accounted for 4,000,000 volumes. Then, Britishwoman writers like Dorothy Eden （1912- 1982）, Anya Seton （1904- 1990）and Mary Stewart （1916 -） all made their works successfully. EspeciallyMary Stewart, she was named as the queen of gothic romantic fiction. HerNine Coaches Waiting （1958） and other ten books were always among the listsof bestsellers, totally sold up to 10,000,000 volumes. At the same time,Daphne du Maurier continued to follow the road of Rebecca and published MyCousin Rache （1951） and other bestselling books.The birth and development of gothic romantic fiction is inseparable fromthe complicated social background. In 1960s, the popular images in Englishsociety were images of youth, liberation. A group of young rule-breakers likeHippie and Beatnik gradually filtered new ideas into people's mind,influencing people's values and beliefs. But there is, of course, the other sideof the 1960s —— a post-war Britain, temporarily affluent, but had to cope withthe loss of her position as a world power and underwent a process ofdecolonization which paid attention to the historical meaning of loss ofEmpire.

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《英國通俗小說菁華(20世紀下半期卷)(英文)》是由上海大學出版社出版的。

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