出版時(shí)間:2008-10 出版社:外語教學(xué)與研究出版社 作者:劉意青,劉炅 著 頁數(shù):484
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內(nèi)容概要
《簡明英國文學(xué)史》是一部學(xué)術(shù)價(jià)值和閱讀性兼具的英國文學(xué)教材,適合高等學(xué)校英語專業(yè)或具有同等水平的學(xué)習(xí)者使用。作者集多年英國文學(xué)教學(xué)經(jīng)驗(yàn)與研究成果之精華,精心編寫而成。介紹自古英語時(shí)期至20世紀(jì)90年代英國文學(xué)發(fā)展脈絡(luò),流派和主要作家及其作品。突出文學(xué)研究的評介性,用國內(nèi)外有爭議的觀點(diǎn)啟發(fā)讀者的興趣,培養(yǎng)學(xué)習(xí)者的獨(dú)立思考意識(shí)。配有豐富、珍貴的圖片,直觀性、趣味性強(qiáng)。每部分均配測試題,書后附專有名詞、大事年表、參考書目和索引,便于學(xué)習(xí)者和教師參考使用。
書籍目錄
Part Ⅰ Old and Middle English Periods (450-1485)
Chapter 1 Old English Period and Beowulf
Ⅰ.Old English Period
Ⅱ. Anglo-Saxon Epic Poem Beowulf
Chapter 2 Middle English Period and Chaucer
Ⅰ.Middle English Period
Ⅱ. Geoffrey Chaucer
Part Ⅱ English Renaissance and Shakespeare (1485-1616)
Chapter 3 The English Renaissance Literature
Ⅰ.Introduction of the Period
Ⅱ. Ten Renaissance Writers
Chapter4 William Shakespeare
Ⅰ.Shakespeare's Life and Achievements
Ⅱ. Discussions of Shakespeare's Major Works
Part Ⅲ The Seventeenth Century (1616-1688)
Chapter 5 The Bourgeois Revolution and Milton
Ⅰ.Background Knowledge
Ⅱ. John Milton
Chapter 6 The Metaphysical Poets and the Restoration Drama
Ⅰ.The Metaphysical Poets
Ⅱ. The Restoration Drama
Chapter 7 Dryden and Bunyan
Ⅰ.John Dryden
Ⅱ. John Bunyan
Part Ⅳ The Eighteenth Century (1688-1780)
Chapter 8 The Age of Classicism
Ⅰ.Background Knowledge of the First Half of the Eighteenth
Century
Ⅱ. Discussions of the Chief Representatives
Chapter 9 The Rise of the Novel
Ⅰ.Background Knowledge About the Rise of the Novel in England
Ⅱ. Discussions of the Major Novelists
Chapter 10 The Pre-Romantic Literature
Ⅰ.Background Knowledge About the Literature at the Turn of the
Century
Ⅱ. Pre-RomanticPoetry
Ⅲ. The Gothic Novel
Part Ⅴ The Romantic Period (1780-1830)
Chapter 11 Wordsworth and Coleridge
Ⅰ.Background Knowledge
Ⅱ. The Romantic Sage, William Wordsworth
Ⅲ. Samuel Taylor Coleridge, Poet and Critic
Chapter 12 Byron, Shelley and Keats
Ⅰ.George Gordon Byron and the Byronic Hero
Ⅱ. Percy Bysshe Shelley, Poet and Utopian Socialist
Ⅲ. John Keats, the Poet of Beauty
Chapter 13 Walter Scott and Jane Austen
Ⅰ.Walter Scott, Romantic Writer of Historical Themes
Ⅱ. Jane Austen, Novelist of Social Manners
Part Ⅵ The Victorian Literature (1830-1880)
Chapter 14 The Victorian Age
Ⅰ.Background Knowledge
Ⅱ. Major Literary Achievements
Chapter 15 Victorian Novelists
Ⅰ.Charles Dickens
Ⅱ. William Makepeace Thackeray
Ⅲ. Charlotte and Emily Bronte
Ⅳ. George Eliot
Chapter 16 Victorian Poets
Ⅰ.Alfred Tennyson
Ⅱ. Robert Browning
Ⅲ. Dante Gabriel Rossetti
Ⅳ. Matthew Arnold as a Poet
Chapter 17 Victorian Prose Writers
Ⅰ.Thomas Carlyle
Ⅱ. Thomas Macaulay
Ⅲ. John Stuart Mill
Ⅳ. John Ruskin
Ⅴ. Matthew Arnold
Part Ⅶ Fin de siecle and Modernist Literature (1880-1930)
Chapter 18 Fin de siec/e
Ⅰ.Historical Background
Ⅱ. Intellectual Background
Chapter 19 Later Victorian to the First World War
Ⅰ.Fin de siecle Aestheticism
Ⅱ. Late Victorian Poetry
Ⅲ. Novels of This Period
Ⅵ. Drama of This Period
Ⅴ. Other Writers of This Period
Chapter 20 Modernist Literature
Ⅰ.Background Knowledge
Ⅱ. Modernist Novel and Novelists
Ⅲ. Modernist Poetry
Chapter 21 Non-Modernists Between the Wars
Ⅰ.Reflections on War and History
Ⅱ. Writers Between the Wars
Ⅲ. The Rise of Academic English Studies
Part Ⅷ Mid-Twentieth Century (1930-1990)
Chapter 22 The Second World War
Chapter 23 Literature of the Second World War
Ⅰ.Surrealism
Ⅱ. War Poets
Ⅲ. Other Writers of This Period
Chapter 24 Postwar Literature
Ⅰ.Novels of This Period
Ⅱ. Drama of This Period
Ⅲ. Poetry of This Period
Chapter 25 Towards the New Century
Self Test
References
Chronology
Glossary of Literary Terms
Key to the Quizes and Self Test
Index of British Writers
章節(jié)摘錄
The poets during the Second World War were drastically different fromthose Georgian poets of the First World War. In place of high-soundingpatriotism and idealism, this generation of poets, prepared by the messages ofdisillusion and despair sent by modernist writers, expressed their tiredness ofand disgust at the horrors and absurdities of the war. Also, the Second WorldWar poets formed no particular subgenre in literary history, partly because,as Keith Douglas (1920-1944) put it,hell cannot be let loose twice and almost all that a modern poet on active service is inspired to write, would betautological to what had been described by the Great War Poets. ……
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